We know from fossil records that the populations of many animal species declined sharply when humans expanded their range. There is no doubt that the world that existed from the emergence of Homo sapiens about 300,000 years ago until the beginning of human civilizations was far richer in large wild animals than the one we inhabit today. Art and literature all record this.
Of course, these artistic and literary sources do not tell the whole story. They are not spread out evenly across space, time or biological class; they do not result from systematic selection; and they were mostly written by white men. Some of them are works of fiction or myth; many of them are anecdotal; some may have involved exaggerations, or be reports only of exceptional phenomena; and all should be subject to the normal rigours of source analysis. Many of the abundances described, moreover, were also probably influenced by human actions and should not be considered straightforwardly natural.
They are nevertheless important because, first, anyone interpreting a historical source that hails from any great distance in the past needs to remember that the world its creator existed in was probably more abundant than ours. When Keats wrote about a nightingale singing in north London, he was not writing about a rare or extraordinary event. When Milton described how “fry innumerable swarm”, he was describing something many of his readers would have witnessed personally. When Darwin wrote of “a tangled bank, clothed with many plants of many kinds and with birds singing on the bushes”, he was describing something more various and lively than we would be likely to encounter today. When choughs and bustards were put on the coats of arms of Cornwall and Wiltshire, these were not obscure choices. When Tennyson wrote of sparrows being speared by shrikes, he expected readers to know what he was referring to. When Shakespeare included “choughs that wing the midway air” in his description of Dover cliff, he probably chose them because they were typical
我们从化石记录中得知,当人类扩展其活动范围时,许多动物物种的种群数量急剧下降。毫无疑问,从大约30万年前智人出现开始,直到人类文明的开始,存在的世界比我们今天所居住的世界要丰富得多,有更多的大型野生动物。艺术和文学都记录了这一点。
当然,这些艺术和文学作品并不能完全讲述整个故事。它们在空间、时间或生物类别上并不均匀分布;它们不是经过系统选择的结果;而且它们大多由白人男性撰写。其中一些是虚构或神话作品;其中许多是轶事;一些可能涉及夸张,或者仅仅是关于异常现象的报道;所有这些都应该受到常规来源分析的严格要求。此外,许多所描述的丰富程度很可能也受到人类行为的影响,不能简单地视为自然现象。
然而,它们仍然很重要,首先,任何解释来自过去很长时间的历史来源的人都需要记住,创作者所存在的世界可能比我们的世界更加丰富。当济慈写到伦敦北部有一只夜莺在歌唱时,他并不是在描述一个罕见或非凡的事件。当弥尔顿描述“无数的鱼群”时,他描述的是许多读者可能亲眼目睹过的景象。当达尔文写道“一片杂乱的土地,上面生长着许多种类的植物,丛丛灌木上有鸟儿在歌唱”,他描述的是比我们今天可能遇到的更多样和活跃的景象。当乌鸦和大鸨被放在康沃尔和威尔特郡的家族纹章上时,这些并不是随意的选择。当丁尼生写到麻雀被伯劳刺穿时,他期望读者知道他在指的是什么。当莎士比亚在描述多佛崖时包括“在中途空中翱翔的乌鸦”时,他可能选择它们是因为它们是典型的。