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406阅读 | 0人回复 | 2024-05-19 18:02:48

本帖由 摇成一 ... 发布,如有侵权联系删除 IP属地:江苏

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We know from fossil records that the populations of many animal species declined sharply when humans expanded their range. There is no doubt that the world that existed from the emergence of Homo sapiens about 300,000 years ago until the beginning of human civilizations was far richer in large wild animals than the one we inhabit today. Art and literature all record this. Of course, these artistic and literary sources do not tell the whole story. They are not spread out evenly across space, time or biological class; they do not result from systematic selection; and they were mostly written by white men. Some of them are works of fiction or myth; many of them are anecdotal; some may have involved exaggerations, or be reports only of exceptional phenomena; and all should be subject to the normal rigours of source analysis. Many of the abundances described, moreover, were also probably influenced by human actions and should not be considered straightforwardly natural.   They are nevertheless important because, first, anyone interpreting a historical source that hails from any great distance in the past needs to remember that the world its creator existed in was probably more abundant than ours. When Keats wrote about a nightingale singing in north London, he was not writing about a rare or extraordinary event. When Milton described how “fry innumerable swarm”, he was describing something many of his readers would have witnessed personally. When Darwin wrote of “a tangled bank, clothed with many plants of many kinds and with birds singing on the bushes”, he was describing something more various and lively than we would be likely to encounter today. When choughs and bustards were put on the coats of arms of Cornwall and Wiltshire, these were not obscure choices. When Tennyson wrote of sparrows being speared by shrikes, he expected readers to know what he was referring to. When Shakespeare included “choughs that wing the midway air” in his description of Dover cliff, he probably chose them because they were typical 

我们从化石记录中得知,当人类扩展其活动范围时,许多动物物种的种群数量急剧下降。毫无疑问,从大约30万年前智人出现开始,直到人类文明的开始,存在的世界比我们今天所居住的世界要丰富得多,有更多的大型野生动物。艺术和文学都记录了这一点。

当然,这些艺术和文学作品并不能完全讲述整个故事。它们在空间、时间或生物类别上并不均匀分布;它们不是经过系统选择的结果;而且它们大多由白人男性撰写。其中一些是虚构或神话作品;其中许多是轶事;一些可能涉及夸张,或者仅仅是关于异常现象的报道;所有这些都应该受到常规来源分析的严格要求。此外,许多所描述的丰富程度很可能也受到人类行为的影响,不能简单地视为自然现象。

然而,它们仍然很重要,首先,任何解释来自过去很长时间的历史来源的人都需要记住,创作者所存在的世界可能比我们的世界更加丰富。当济慈写到伦敦北部有一只夜莺在歌唱时,他并不是在描述一个罕见或非凡的事件。当弥尔顿描述“无数的鱼群”时,他描述的是许多读者可能亲眼目睹过的景象。当达尔文写道“一片杂乱的土地,上面生长着许多种类的植物,丛丛灌木上有鸟儿在歌唱”,他描述的是比我们今天可能遇到的更多样和活跃的景象。当乌鸦和大鸨被放在康沃尔和威尔特郡的家族纹章上时,这些并不是随意的选择。当丁尼生写到麻雀被伯劳刺穿时,他期望读者知道他在指的是什么。当莎士比亚在描述多佛崖时包括“在中途空中翱翔的乌鸦”时,他可能选择它们是因为它们是典型的。

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 When John Clare wrote a poem about a wryneck’s nest, he considered himself to be writing about a fairly common country bird. When late-medieval men and women sang “Sumer is icumen in” , they were familiar with the sound of the bird they imitated in the second line. An understanding of lost bioabundance should be part of the basic background knowledge that readers bring to historical sources.This should also affect how we think about progress. Though optimistic writers like Steven Pinker have attempted to describe the history of the past few hundred years as one of improving quality of life for millions of people, brought about by improved nutrition, more reliable food supplies, better education, a decrease in violence and so on, these narratives, even if they are allowed to be true, need to be qualified by an understanding of what these improvements have meant for the natural world. What might in one account be “progress” might in another be a vast and unsustainable transfer of benefits from non-human living beings to human ones.Thinking like this can promote several different reactions. If we believe that humans tend under a diverse range of conditions to spoil and diminish the natural world, then we may be sceptical about the likelihood of humanity significantly mitigating the effects of the crisis. Humans will need to behave in ways that are historically extraordinary if the future is not to be one of continued disaster. It might also make us think that mitigation is the best we can hope for. Any hope of putting things back the way they were must be dismissed, not least because so many irreversible events, including extinctions, have already occurred. But thinking like this may also make us angry. Restoring wildlife populations even to what they were in the 1990s, although a desirable and ambitious aim, would be risible if even a partial restitution of what has been lost overall were sought.

当约翰·克莱尔写了一首关于一只卷尾巴鸟巢的诗时,他认为自己在写一只相当常见的乡村鸟类。当中世纪后期的男人和女人唱起“夏天来了”的时候,他们熟悉他们在第二行模仿的鸟的声音。对失去的生物丰富度的理解应该是读者对历史来源带来的基本背景知识的一部分。这也应该影响我们对进步的看法。尽管像史蒂文·平克这样的乐观作家试图描述过去几百年来的历史是数以百万计的人们生活质量的改善,这是由于改善的营养、更可靠的食物供应、更好的教育、暴力减少等等所带来的,但即使这些叙述被认为是真实的,也需要通过对这些改善对自然界意味着什么的理解进行限定。在一个叙述中可能被称为“进步”的东西,在另一个叙述中可能是一种从非人类生物向人类生物的巨大而不可持续的利益转移。这样的思考方式可能会引发几种不同的反应。如果我们相信,在各种条件下,人类往往会破坏和减少自然界,那么我们可能会对人类显著减轻危机影响的可能性持怀疑态度。如果未来不是持续灾难的未来,人类将需要以历史上非同寻常的方式行事。这也可能使我们认为减轻是我们所能期望的最好结果。放回事物原样的任何希望都必须被摒弃,尤其是因为已经发生了许多不可逆转的事件,包括灭绝。但这样的思考方式也可能让我们感到愤怒。即使将野生动物种群恢复到上世纪90年代的水平,虽然是一个值得期望和雄心勃勃的目标,但如果追求的是对整体损失的部分赔偿,那将是可笑的。

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